Sunday June 7th – The
bright, desert sun illumined the rich, desert earth of the area known as The
Little Painted Desert in Northeastern Arizona.
I had traveled the stretch of Interstate 40 many times during trips to the flashing
lights of Las Vegas, Nevada and visits to southern California never veering far
off the road that connected me to those destinations. My first trip was in 1969
along Rte. 66 before the Interstate Highway System created I-40. In 1969
tourists from the East visited “Indian” stores advertised on billboards at the
edge of the highway blocking the view of the surrounding landscape. The stores
were full of the cheap trinkets carried home as souvenirs of the trip to the
Wild West. In addition, one could see Indian performances reminiscent of the
Buffalo Bill traveling rodeo shows of the early part of the century.
It wasn’t until I
lived in Albuquerque, New Mexico that I became familiar with the ancient
history hidden off Interstate 40 along the lands of the Navajo and Hopi people
– the descendants of the ancient cliff dwelling people known as the Anazasi
people, a corruption of the Navajo word Anaasaai,
meaning Ancient Ones or Ancient Enemies. This term is not the
preferred designation of modern Puebloans who live in the area today.
By the time Coronado came to the region in the 15th Century
looking for the Seven Cities of Gold, the Anazasi people had mysteriously
disappeared and new cultures of the Navajo, Hopi and other Pueblo people had been established. The Navajo and Hopi are the only cultures
that have remained intact – relatively free from westernization. The Hopi is
the purest culture, having been left alone to its ancient practices high upon
the Black and Second Mesas in northern Arizona
and never having gone to war with the Americans. After Kit Carson allowed the Navajo to return
to their home in Canyon De Chelly in the 1860’s, the Navajo negotiated a peace
treaty that returned these lands to the Navajo shepherds.
Since that time,
the Navajo have prospered. Navajo need
for more grazing land and water has created recent conflict with the peaceful
Hopi. And the Navajo, with the support of the United States government and
Peabody Coal Company, have been slowly encroaching upon Hopi land for mineral and
water rights. The Hopi, however, have been able to preserve much of their
ancient culture and spiritual practices high in the cliffs of the Second Mesa.
On this pleasant, sunny day in June, a friend and I veered from Interstate 40
at Winslow, Arizona onto State Road 87. Our intent was
not to experience any more “kicks along Route 66” but to travel this “road to
nowhere” for a trip into New Pangaea.
In describing the
western landscape, many who have been there describe it as “miles and miles of
miles and miles.” Traveling on an empty two- lane highway with low lying scrub
brush and flat desert sand on each side made the road seem to disappear into
the cloudless, blue horizon. No traffic and an unobstructed view helped to
delineate the beautiful colors of the rippling red soil and gray, gravel rock
that provided an apron to the huge rock formations that suddenly appeared
sporadically along the way.
There was a bell
shaped rise in front of purple, snow capped rocks whose color changed with the
position of sun’s light from dark red to pink, and finally a white ribbed apron
flowing down into a flat, green bottom. The green of the desert shrubs was
especially brilliant due to the recent rain that had not only cleared the air
but nourished the roots so close to the surface. We stopped at a state park to
take a picture of this “eye candy.”
The park was
operated by the Navajo who own this land. We saw two stoned columned shelters
for two picnic tables. Gang graffiti in red, blue, black and white reminded us
that people live in the area. On the two portable outhouses, we saw the sign of
the Navajo – two broken arrows with one going up and another going down. This
was the symbol we had seen on the Indian Casino set off I-40. Other signs of
inhabitants included fenced off land, telephone and power lines, periodic ranch
houses and school bus shelters. We also saw some broken beer and whiskey
bottles along the road when we stopped to take yet more pictures.
Periodic groups of
sheep and cattle indicated this was grazing land. Although the highway to the
Second Mesa was sixty miles long, the time passed quickly as we were absorbed
by the beauty of the landscape. Highway 60 ended at the approach to Second
Mesa. Looking up and seeing adobe houses built into the brown mesa brought home
to me what the pueblo culture must have looked like when Coronado and the
Spanish missionaries first came to the area.
There was a
cluster of FEMA looking buildings at the end of the road. There were also some
adobe cottages whose yards were filled with piles of old furniture, new
mountain bikes and the ever present trucks. We saw some satellite dishes to
indicate 21st Century technology. We parked in the gravel lot that
served the cluster of federal buildings. On the Sipalovi Activities
Center we saw the sign
indicating the four Klans of the Hopi. The hand painted sign consisted of a
hand with each finger painted with the animal connected to each Klan – a snake,
gourd, bear claw and tarantula. The offices were closed but flyers outside
described various programs available to the people, especially youth and elder
nutrition programs. A woman in a black SUV drove into the gravel lot. She was
most helpful, telling us that the village we wanted to see was indeed atop the
high mesa. She also told us there would be dancing in the village center that
day and we could attend with no trouble. Thus began the highlight of our
sojourn into New Pangaea.
We traveled the
winding, dirt road to the top of the mesa. Suddenly, we were driving along a
road with adobe houses lining the path, one after another. There were people
walking everywhere and parking was sporadic and uncontrolled. The thing that
struck me was how quiet it was despite the throng of men, women and children
walking to the village square. We parked in a spot where we thought we wouldn’t
be locked in and joined the throng, moving into the center of the village. At
the village center, we saw openings in the adobe floors with ladders
disappearing into them. These were probably the village storehouses. I also
thought one of them must be where the very private, spiritual ceremonies were
held.
As we approached
the center, we saw chairs surrounding the “stage” which was no more than a
flat, open area. There were also chairs set atop the roofs of the houses. We
found a seat on a flat bench surrounded by chairs, sat down and quietly waited
for the dancing to begin. Although almost every chair was filled and much of
the audience included children of all ages, the behavior of these children
amazed us. They sat quietly next to their mothers, many of whom had brought
baskets of food that they deposited in the stage area before being seated. In
front of us was an elderly village lady. She had the exquisitely lined face of
wisdom as she sat shielding her eyes from the bright sun with a resplendent,
green and yellow wrap that sparkled in the light.
We sat and watched
with her as people began bringing in basket after basket filled with fruits,
vegetables, baked sweets and bags of popcorn. There were corn, squash and apples
and oranges. Some of the apples filled boxes from the state of Washington and the
parade of food continued throughout the ceremony. Much of the food was carried
into the center by men who had obviously bathed themselves in mud. They were
shirtless and many had English phrases on their backs. At last the dancers came
from somewhere onto the stage. I was breathless.
A parade of about
twenty masked dancers made a circle around the baskets of food. Their faces and
bodies were covered entirely by hand made regalia obviously passed down from
generation to generation. The gray wool tunic and “skirt” were adorned with red
and black symbols that matched those on the full masks that forbid any
recognition. I could tell that some of the dancers had family in the audience
by the slight gestures they made in certain areas at different times. That was
the only communication that came from these dancers.
Some of the dancers had Klan insignias on
parts of the leg that was exposed, but all wore jingle bells on the left ankle
and round turtle gourds attached to the right knee. These made the only noise
when they began a rhythmic dance done by stamping the left foot in time to the
drumming by the masked “musicians” whose regalia appeared to be for women,
although they, too, were entirely covered. No one spoke as the dancing
continued. Two men in black tunics appeared at the middle of the circle and
began dancing as the surrounding dancers kept time.
These dancers performed some sort of
initiation ceremony for a young male whom they brought into the circle. He was
wearing jeans and had on untied tennis shoes. As part of the ceremony the solo
dancers bent down and tied his shoes. He then joined them in their dance. As
the dancing continued the mud baked men walked around the circle dropping dust
onto all the participants. After the initiation the “female” musicians left the
circle and the remaining participants began throwing fruit, candy and popcorn
into the audience. These were directed toward the children. Once again, I marveled
at how the children caught their gifts freely without other children in the
area trying to catch them. The children held their gifts without opening them
for the rest of the ceremony. Then the dancers turned to the women.
One dancer brought
an armful of vegetables and gave them to the woman elder in front of us. Then,
something astounding happened. One of the dancers held out a huge zucchini
squash and offered it to me. I signaled “me?” silently and he shook his head
“yes.” I accepted with gratitude and humility. Then I noticed that the women
with families started receiving bags of fruits and vegetables. Although food
was continuously being given away, the amount of food in the circle stayed
rather constant, as more and more continued coming in. This reminded me of the
Iroquois legend of the cornucopia basket.
The Iroquois
believed that the Great Mystery who lived in the heavens above supplied all
creatures below through a funnel shaped cloud. The small opening at the top
created a vacuum through which food flowed freely. The food continued to flow
only if the bottom stayed empty. That’s why their food baskets used in their
harvest were shaped like funnel shaped clouds – a reminder to keep the food
flowing by keeping it empty.
The masks worn by the circle
dancers also reminded me of the Iroquois masks of the False Face Society that
kept disease and evil spirits away from the society’s homes. I felt as though I
were, indeed, experiencing a New Pangaea. Eventually, the dancers handed my
male companion a box of fruit. His reaction reflected the western cultural
beliefs that it is not right for those who have plenty to accept from those
who, at first glance, have much less. He was hesitant to receive it, but I
encouraged him to take it. He finally accepted the fruit after his efforts to
give it to the young family next to us failed.
One of the best things we received was a
delicious cookie that had green and yellow icing. The spiral shape reminded us
of the spiral carvings we had seen on the lava rock in Petro
glyph National
Park on the West Mesa of Albuquerque,
New Mexico. One of the legends of
this carving is that it portrays the entrance of the Ancient Ones from the center of the earth and their circular
journey from birth to death.
A group of women
approached the bench on which we were seated and indicated that we needed to
move. We did so without hesitation and walked back to our car. The drive back
to I-40 as well as the rest of the drive from Arizona passed quickly as Carl and I shared
our thoughts about what we had just experienced. In my efforts to connect with ancient
cultures and what was once Pangaea, I had found the origins of a New Pangaea.
This filled me with enthusiasm and hope as I returned to my 21st
Century world filled with the challenges brought about from polarization and
our lost memories of what we once were and can be again.
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